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    • Watch: Bat For Lashes - “Sunday Love” Video
      Bat For Lashes (aka Natasha Khan) is releasing a new album, The Bride, on July 1 via Parlophone/Warner Bros. Previously she had shared "I Do" and "In God's House" (as well as the video for "In God's House"). Now Khan has shared another song from the album, "Sunday Love," via its video.
    • Fall Forever
      Fear of Men's 2014 debut, Loom, was an alluring blend of lo-fi dream pop, straddling an unusual space between the fuzzy, unpolished appeal of classic K Records singles and the more recent wave of ramshackle indie pop typified by bands such as The Pains of Being Pure at Heart. 
    • Listen: Swans - “When Will I Return”
      Swans are releasing their new album, The Glowing Man, on June 17 via Young God. It's the final album by the current version of the band. Now another track from the album has been shared, "When Will I Return." 
    • Four Tet Shares New Song with Impossibly Long Title in Honor of SoundCloud Milestone
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    • Feist Covers The Tragically Hip’s “Flamenco” in Honor of Terminally Ill Frontman Gord Downie
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    • Watch/Listen: Garbage - “Even Though Our Love Is Doomed” Lyric Video
      Garbage are releasing a brand new album, Strange Little Birds, on June 10 via the band's own label STUNVOLUME. Now they have shared another song from it, the ballad "Even Though Our Love Is Doomed," via a lyric video that features nature shots of predators and prey before the song climaxes with images of predators vs. predators. 
    • Watch Arcade Fire Perform a New Song Outside the Louvre in Paris
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    • Listen: The Raveonettes - “Scout”
      In 2016 Danish duo The Raveonettes are releasing a new song every month in what they are calling the "Rave-Sound-of-the-Month" series.
    • Radiohead Share Video Vignette Inspired by “Desert Island Disk,” Mess Up “Nude” Live
      Radiohead recently released their new album, A Moon Shaped Pool, digitally. Today they have shared to their Instagram a new video vignette by visual artist Adam Buxton inspired by the album's "Desert Island Disk." The band previously announced that various visual artists would be offering brief interpretations of the album.
    • Fading Lines
      Amber Arcades—the thrilling and delectable project of Dutch artist Annelotte de Graaf-—revel in the ability to combine textures, sounds, and colors together to create dream-like sounds and sequences; but forever being driven along by a pop heartbeat. 
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    • Max Graef & Glenn Astro - The Yard Work Simulator May 31, 2016
      A unique and intriguing collaborative album...Following on from their December 2015 release of ’Magic Johnson’ on Ninja Tune, German producers Max Graef and Glenn Astro are back with a full-length release on the label. Drawing influence from jazz, hip-hop, funk and disco as well as more contemporary electronic music, the album brings together a myriad of the […]
    • Modern Pleasure Tear It Up On 'White Heels' May 31, 2016
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    • Track Of The Day 31/5 - A O S O O N May 31, 2016
      'High Grade'A O S O O N stands for something rather simple: 'A Lot Of Something Out Of Nothing'. The South London duo have been bubbling under for some time, but exploded last summer with 'Under' becoming a viral sensation online. Clocking up more than one million streams and winning praise from Zane Lowe, the pair were inundate […]
    • Snoop Dogg Is Not A Fan Of The New Roots Series May 31, 2016
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    • Questlove Lists 40 Reasons Why Prince Was A Genius May 31, 2016
      ...and then adds a few more on TwitterQuestlove has listed 40 reasons why Prince was a genius. The Roots' drummer has always been an outspoken fan of the Purple One, and was obviously moved by his sudden death recently. Spotting that Prince adorns the current cover of The Source, Questlove then wrote a post on Instagram listing 40 reasons why the star r […]
    • Live Report: Radiohead - Roundhouse, London May 30, 2016
      A stunning set from a group who must be cherished...It's the silence that gets you. The quiet, dignified respect shown by the crowd, the waves of silence that lap across the venue, as if to further underline the intense concentration being shown by everyone in the room. Perhaps that's a sign of the efforts made by each person to be here. When Radio […]
    • Good Trip, Bad Trip: L.A. Foster x Wake Island May 30, 2016
      Touring tales from two new Canada based acts...POP Montreal has grown to become one of North America's most vital new music events. Taking hold of venues across the Canadian city, the festival welcomes an international array of acts, crossing styles, genres, and disciplines. This month the POP Montreal experience has come to Europe, with L.A. Foster and […]
    • Their Library: Adia Victoria May 30, 2016
      Literary influences explored...Adia Victoria has always known the value of the written word. Born in South Carolina and raised by Seventh Day Adventists, the singer consumed books of all variety from a young age. But then, she's always been a voracious pursuer of new ideas. Now based in Nashville, the singer's inquisitive debut album 'Beyond T […]
    • Premiere: Patrick Topping - 'Free Admission' May 27, 2016
      Just one more before the weekend...The weekend is almost here, so we won't keep you long... Circus Recordings are preparing a new instalment of their 'selector' series, and they've called in some favours from a few top producers. Label founder Yousef leads the charge, while Richy Ahmed's 'Layer Cake' is already a giant tune […]
    • Photo Gallery: Gilligan Moss Hit Brighton May 27, 2016
      Exclusive snaps from the duo's Great Escape set...Oh, we do like to be beside the seaside... Or, at least, Gilligan Moss do. The New York based production duo breezed into the Great Escape last weekend, determined to live south coast life to the full. Fish and chip shops were visited, novelty postcards were purchased and industrial amounts of Brighton r […]
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Best Albums of 2012: Ruthie Foster ‘Let it Burn’

Posted by falconi5 on May 7, 2012


Ruthie Foster – Let it Burn (Rating 4.5 out of 5)

One of the gospel-blues scene’s best-kept secrets for over a decade, Texan singer/songwriter Ruthie Foster finally achieved some long-overdue mainstream recognition when her 2009 sixth studio effort, The Truth According to Ruthie Foster, picked up a Grammy nomination. By putting down the guitar and concentrating entirely on her vocals for the first time in her career, her follow-up, Let It Burn, suggests she means business. It’s a wise move, as her impassioned, soulful tones have always been her main selling point, and backed by an impressive array of musicians, including the Meters’ rhythm section and legendary gospel act the Blind Boys of Alabama, they’re allowed the freedom to showcase their versatility, whether it’s channeling the velvety smoothness of Anita Baker on the atmospheric blues of John Martyn’s “Don’t Want to Know,” matching the power of Aretha Franklin on the a cappella rendition of early 20th century folk standard “The Titanic,” or echoing the spiritual leanings of Carleen Anderson on the harmony-driven opener “Welcome Home.” Alongside the groove-laden old-school R&B of “Aim for the Heart” and the pure gospel of “Lord Remember Me,” the latter is the only original composition, but John Chelew’s inspired production ensures there’s still plenty of invention elsewhere. Johnny Cash’s “Ring of Fire” is rendered almost unrecognizable thanks to a gorgeously shimmering and reverb-laden arrangement, Pete Seeger’s “If I Had a Hammer” is transformed into an authentic slice of New Orleans jazz, while Ike Stubblefield’s rich organ riffs lend a hymnal quality to the likes of the Band’s “It Makes No Difference” and the William Bell duet “You Don’t Miss Your Water.” Effortlessly classy covers of Adele’s “Set Fire to the Rain” and the Black Keys’ “Everlasting Light” show she isn’t averse to more contemporary fare. But whichever era Foster picks and chooses from, Let It Burn always feels utterly timeless.

from allmusic

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